Marinella Senator’s installation We Rise by Lifting Others will be visible every day in the courtyard of Palazzo Strozzi from 9.00 to 20.00 from 3 December 2020 to 7 February 2021. (ph. Marinella Senator’s installation We Rise by Lifting Others will be visible every day in the courtyard of Palazzo Strozzi from 9.00 to 20.00 from 3 December 2020 to 7 February 2021. Please note that access to the courtyard is free of charge and that all visitors to any part of the palazzo are kindly requested to comply with the COVID-19 measures listed on a signpost at the entrance to the courtyard and on this page. Installation for the courtyard of Palazzo Strozzi on the occasion of the exhibition Tomás Saraceno. Restoration work began in that same year and was completed by 1940, when the building’s new role was inaugurated in the presence of King Victor Emmanuel III with a major Exhibition of the Tuscan Cinquecento in Palazzo Strozzi.

Palazzo Strozzi is an example of civil architecture with its rusticated stone, inspired by the Palazzo Medici, but with more harmonious proportions.
©2007-2020 Fondazione Palazzo Strozzi. The pairing of art and science motivated the magnificent double slide with which Carsten Höller and Stefano Mancuso, in The Florence Experiment (2018), created a participatory experience wherein the human-plant world interaction highlighted the communicative and emotional capabilities of all living beings. These cold figures offer a technical description of the structure, yet quite apart from the innovative scientific experiment associated with it (devised in conjunction with plant neurobiologist Stefano Mancuso), the impressive thing about it was the tangle of arms reminiscent of the Laocoön, but that also reminded us of the ongoing practice of causing façades and courtyard to interact with temporary and contemporary structures. But it is the relationship between man and the environment that has generated perhaps the most innovative and spectacular results. Via Rizzoli 8 - 20132 Milano C.F. Piazza Strozzi 50123 Firenze, Building a new relationship with our audience, A project devised by Carsten Höller and Stefano Mancuso. Click here to see all print and digital offers. Suspended in the air is Thermodynamic Constellations, a set of three orbs that reflect the architecture of the Renaissance palace. The Palestrina Pietà, thought at the time to be by Michelangelo and recently acquired by the Galleria dell’Accademia, was placed in the courtyard and chosen as the logo for the event. So if the big Artificial Moon by the Chinese artist Wang Yu Yang asked people to reflect on light pollution (2007), the oak tree suspended by Federico Gori in the work On Fragility and Power (2013) alluded to the power dynamics that have always been the basis of the relationship between man and nature.Dynamics that the current spectacular installation Thermodynamic Constellation, created by Tomás Saraceno with the Aerocene artistic community, tries to subvert, proposing in the Aria exhibition a conscious and supportive relationship with the entire natural system. Reframe, Site-specific installation for the courtyard of Palazzo Strozzi in Florence. The installation is sponsored and realised thanks to Fondazione CR Firenze © Photography by Ela Bialkowska, OKNO Studio). We owe the courtyard of Palazzo Strozzi to Simone del Pollaiolo, known as Il Cronaca, who was the palazzo’s supervisor and executive architect from 1490, shortly after construction began, until 1504. Get Abitare delivered direct to your door or browse it on your computer, smartphone, or tablet (app available for Android and iOS). Piazza Strozzi 50123 Firenze. Visitors are immediately thrust into Saraceno's world upon entering Palazzo Strozzi's courtyard. Palazzo Strozzi, a milestone in the development of Italian Renaissance architecture, is one of the most elegant and best-known examples of these prestigious buildings that began to be erected in the 15th century with their large courtyards surrounded by columns acting as the focal point around which the entrances and staircases converged. The palace was left incomplete by Simone del Pollaiolo (Il Cronaca), who was in charge of the construction of the palace until 1504. Aria, 2020. Carsten Höller and Stefano Mancuso, The Florence Experiment, 2018. Palazzo Strozzi: Interesting Courtyard! Alessandro Moggi). The ladder was an object emptied of all practical use, oversized, unstable and temporary: an evocative kaleidoscope marking a break with tradition in total contrast with the controlled and symmetrical perspective of its Renaissance architectural setting and with the measured hues of the courtyard’s grey pietra serena and white plaster colour scheme. Le palais Strozzi (Palazzo Strozzi) est un chef-d'œuvre de l'architecture de la Renaissance italienne situé à Florence, qui donne sur la piazza Strozzi, la via Tornabuoni, la via Porta Rossa et la via degli Strozzi, sans être accolé à aucun autre bâtiment. Site-specific installation for the courtyard of Palazzo Strozzi in Florence. Ai Weiwei, Libero, 2016. From 2 November 2020 Palazzo Strozzi’s ticket office for purchasing or collecting Friends of Palazzo Strozzi and Firenzecard cards will be open from 10.00 to 18.00 daily (closed 25 December and 1 January). Cortile di palazzo strozzi, 2012, 01.JPG 2,816 × 2,112; 1.37 MB. The “monstrosity” was erected in the summer of 1983 ahead of the 13th Antiques Biennale (17 September–9 October), when it was described in the catalogue as “a huge surprise as well as a novelty.” The massive public outcry against the invasive structure was taken up by figures from the world of culture such as Eugenio Garin and by glossy magazines such as “Casa Vogue.” The fire escape was subsequently dismantled, but for years it was an eyesore defacing a perfect space and Paola Pivi’s work may well have been an allusion to the countless structures that have marked and blighted the silhouette of so many monumental buildings. Attilio Maranzano).

The site-specific installations of contemporary art (realised first under the direction of Franziska Nori, then under the current director Arturo Galansino) are characterised by a focus on the context and the topic of sustainability. Cover: Carsten Höller, The Florence Experiment Slides, 2018, Photo Attilio Maranzano. This introduced a problem new in Renaissance architecture, which, given the newly felt desire for internal symmetry of planning symmetry: how to integrate the cross-axis. Founded in 1961 by Piera Peroni Abitare magazine has crossed the history of costume, architecture and design, international, following in its pages the evolution of our ways of life and how we inhabit places, Copyright 2019 | RCS Mediagroup S.p.A. Cortile di palazzo strozzi, 2012, 02.JPG 2,112 × 2,816; 1.51 MB. Each slide was approximately 50 metres long, weighed roughly 3,600 kilos, making an overall weight of over 12 tonnes, and was held together by 265 bolts, as many nuts and 522 washers. Be the first to receive news and specials about Palazzo Strozzi.

The courtyard was unquestionably a showpiece, but it also made life in the palazzo far more pleasant thanks to the cool shade offered by the portico on the ground floor, the two airy loggias on the first floor and the loggia on the attic floor, which was a veritable suntrap in winter.

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