rimpa siva father

But not so much as percussionists.

From barren to swampy, Kadapa shows the way in water conservation! She was taught to play the Farukhabad gharana style by her father, Prof. Swapan Siva. Chavan Auditorium. And all through, tabla has been her constant companion.Siva points out that most tabla players in Kolkata belong to the Farrukhabad gharana.

Rimpa Siva (born 1986) is an Indian musician known for being one of the few female tabla players. School education took a backseat. When Rimpa Siva was just five-years-old, she saw her father Pandit Swapan Siva, the famous tabla player in Kolkata, play the percussion instrument.

You have reached your limit for free articles this month. Her passion resonates in the sounds of the tablas. In case you can’t find any email from our side, please check the spam folder.

Everything in my life happens around the tabla. THIRUVANANTHAPURAM:When Rimpa Siva was just five-years-old, she saw her father Pandit Swapan Siva, the famous tabla player in Kolkata, play the percussion instrument. “This definitely has its roots in what society considers to be feminine and masculine.

While Pal has spearheaded the Stree Shakti group for years, Siva started fusion band Nari Shakti two years ago with stringed and wind instruments too.

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From the age of three, Rimpa showed keen interest in playing the Tabla.

She also looks dressed like a typical male tabla player, in a high-collar kurta, and together with her hair, she almost suggests Zakir Hussain. It’s a support for truth and fairness in journalism. Through his performances Subhajyoti has won the hearts of his listeners and his talent has also been acknowledged by maestros. For instance, of the 40 students who learn the tabla from Pune-based Savani Talwalkar, only four are girls. on November 16, ‘Soorarai Pottru’ movie review: A splendid Suriya shoulders this rollercoaster ride. Help us delete comments that do not follow these guidelines.

“While on tour, it is difficult to have an organised pattern.

All day Sangeet Samaroha - a music and dance festival, New Jersey. Kanakambujam and V.S. Last Updated: 19th July 2018 04:23 AM Her journey began early.

Delhi is the oldest, followed by Lucknow—both originated in the 18th century, soon after the tabla came into being. He blessed me and said that I should keep a lemon and chilli in my pocket to ward off evil,” says Rimpa.

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Ms. Rimpa Siva: Born to a family of music-lovers in Calcutta on 14th January 1986, toddler Rimpa showed keen interest in playing with Tabla and other Indian musical instruments.

“In 1997, in San Francisco, Ali Akbar Khan himself attended my performance at the Ali Akbar College of Music. We promise to deliver quality journalism that stays away from vested interest and political propaganda. And it probably takes much more strength and stamina to dance than to play the mridangam, and we know that women can do that. Rimpa Siva is an Indian musician known for being one of the few female tabla players. “That’s all I heard in the house all day. She remembers the meeting as a “strange dream”.

Rimpa Siva lives in Calcutta, in the midst of the exuberant Bengali crowd. And, in the process, she also proved that tabla is not essentially the domain of men. Nevertheless, Rimpa stood firm on her choice.

Your session has expired, please login again. Jugalbandi concert with Indrajit Banerjee, Sandip Chatterjee and Subrata Bhattacharya, New York.

“But once men started playing for women vocalists, opportunities for women percussionists diminished," says Swaminathan. Few girls show an inclination for percussion instruments, however, and of those who do, some are discouraged by parents.

She recalls her early days.

He couldn’t guess that someone so young was playing,” says Rimpa.

“I can’t play the tabla in a woman’s clothes. The baaj (playing style) of the gharana is characterised by extensive resonant strokes of the daya (the right tabla) and intriguing rhythm structures. 150 and are available at the venue and www.meraevents.com. In the 20th century, Mumbai-based Parsi musician Aban Mistry, who died three years ago at the age of 72, was likely the first professional woman tabla player—the Hindustani counterpart of Sumathi Ramamohan Rao.

Tickets are for Rs. A 34-year-old Beleghata resident's journey as a percussionist, a field still intrinsically attributed to males.

But only as much as it is for a man,” says Rimpa, who was also inspired by other female tabla players such as the late Aban Mistry and Anuradha Pal.

She was instantly enamoured and wanted to try it.

“My first stage performance was at the age of eight,” says the tabla artist. The lockdown makes her feel claustrophobic. One such spot is the one behind the tabla. Swapan was a student of Keramatullah Khan, the doyen of the Farrukhabad gharana, who lived in Ripon Street. Something about beating a surface with force strong enough to produce a sound, perhaps, is still considered an intrinsically male activity. Ahead of the Mumbai show, Siva had just completed a six-concert tour in Punjab and was headed to Amravati in eastern Maharashtra to conduct a two-day workshop along with her father. She was taught to play the Farukhabad gharana style by her father, Prof. Swapan Siva. She accompanied Chaurasia on stage when she was only 14 and toured with Pandit Jasraj and Pandit Ajoy Chakraborty. “Every concert I take part is a practice towards a better future.

Workshop on Thumri & Khayal with Rajyashree Ghosh, moderated by Sanjoy Banerjee, New York. Copyright © HT Digital Streams Limited All rights reserved. She was the subject of the 1999 French documentary film Rimpa Siva: Princess of Tabla.

My days ultimately start and end  with tabla.” Her all-woman band ‘Nari Shakti’ is another feather in her cap. She is my senior, and has done wonders in this field,” says Siva.There have been many occasions when a group of women percussionists has performed together. But more than all the others, she knows how to speak without words. “It is physically challenging to play the tabla. As a three-year-old in Kolkata, Rimpa Siva was instantly attracted to the tabla. Gender bias and stereotyping are topics that need much more airing in this field, where only a clutch of women play instruments that are considered to be masculine. I never stopped after that,” says Rimpa, whose playing technique and virtuosity also found appreciation from sarod maestro Ustad Ali Akbar Khan during a US-tour in the late 1990s. She did not time for friendship either.

To enable wide dissemination of news that is in public interest, we have increased the number of articles that can be read free, and extended free trial periods. Rimpa Siva (born 1986) is an Indian musician known for being one of the few female tabla players. The fact that your own fraternity is acknowledging you is wonderful,” Rimpa tells The Indian Express. Skip navigation Sign in

Explained | How will the government regulate online news and OTT platforms? Sometimes, I play alone and sometimes I call in for help on sarangi or harmonium. “I just took to it,” she says. This stems at least partly from gender stereotypes suggesting that women are not strong enough to handle percussion instruments or not suited to mastering complex rhythms. Her father, Professor Swapan Siva, belonged to the Farrukhabad gharana and taught many male students. “He not only congratulated me and advised on a musician’s health and good diet, he gave me his blessings and asked me to keep at it.

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But when in Kolkata, I make it a point to practise three or four hours a day.

The film shows her as a student of Beleghata Deshabandhu Giris’ High School.

She won the President’s Award in 2007 and the Sangeet Natak Akademi award in 2017.

Father- Daughter Tabla Duet: Pandit Swapan Siva & Rimpa Siva … When Rimpa was born, Swapan’s dream of a son taking forward his legacy was crushed.

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